VIDEO OF THE DAY - ISAAC'S AIRCRAFT - CHEW THE FAT
Showing posts with label New. Show all posts
Showing posts with label New. Show all posts

17 December 2011

New 1500 capacity venue 1 Mount Pleasant to open in Liverpool

New 1500 capacity venue 1 Mount Pleasant to open in Liverpool

The team behind Eric's on Mathew Street, which was re-launched in September with a special gig by Orchestral Manoeuvres in the Dark and has seen such diverse acts including Trombone ShortyTerrorvision, Jim Lauderdale and The Christians play the famous cellar – are opening a new 1,500 capacity live venue in the City. 1 Mount Pleasant will open its doors this evening at the old 0151 building.

Owner John Lynch and his team, music director Ethan Allen, promoter Lee Butler and commercial manager Carl Burleigh have promised the venue will have a wide appeal. Mr Lynch said: “It's going to be a multi-purpose use venue which will appeal to all different types of people. We’ll host sporting events, cabaret, live music and touring bands. Size wise we fit snugly between the O2 Academy and the Mountford Hall. Liverpool needs another independent performance space.”

The venue launches on Friday 16 December with Now That's What I Call a Works Night Out in conjunction with Radio City 96.7’s Cash For Kids charity. Featuring a host of DJ’s as well as live music from Xander & The Peace Pirates and Ultrabeat. 

Saturday night BBC Radio Merseyside’s Billy Butler will host an evening with the American Drifters. Mr Lynch added: “We are looking forward to 2012 and hope it will be a great year for live music in Liverpool.”

16 August 2011

Relentless Crew - Best Kept Secret



RELENTLESS CREW FOLLOW ON FROM THE SUCCESS OF THEIR PREVIOUS CHANNEL AKA TOP 20 TRACK '24/7', WITH THE RELEASE OF 'BEST KEPT SECRET', A BRAND NEW SINGLE AVAILABLE DIGITALLY FROM 15/08/11.



The 2008 UK Unsigned winners have been steadily increasing their fan base over the last couple of years with performances across the UK, heavy support from the likes of BBC 1xtra & Choice FM, and fantastic TV support (RC’s last single was play listed on several major British music channels and remained in the Top 20 on Channel AKA for 10 weeks straight.)



Best Kept Secret promises to be a big re-introduction to the UK scene for Relentless Crew, and is set to let the public know why RC (and countless industry tastemakers) believe they are the Best Kept Secret in the UK urban scene!



Relentless Crew are currently planning a series of performances across the UK to support the new single release, having already come off the back of a very successful UK wide school tour.



Best Kept Secret is available on iTunes now as well as all other major online retailers.





15 August 2011

Thomas Dolby announces UK tour November 2011

 
 
Thomas Dolby announces UK tour November 2011
+
First studio album in 20 years
‘A Map Of The Floating City’ (released 24.10.11)

 
Monday 15th August 2011;Thomas Dolby, electronic legend and ground-breaking synth master, will tour his brand new studio album, ‘A Map Of The Floating City’ this November.
 
 
The 11-date tour, starting at London’s O2 Shepherd’s Bush Empire on Sunday 6th  November, sees Dolby eagerly back on the road after a number of years away from touring and recording.
 
 
Back in the ’80s, Dolby’s smash hits ‘She Blinded Me With Science’ and ‘Hyperactive!’ helped define the MTV generation and some 20 years since his previous full release, he returns with a new studio album, ‘A Map Of The Floating City’’, featuring appearances by special guest artists Mark Knopfler, Regina Spektor, Natalie MacMaster, Bruce Woolley and Imogen Heap, will be available on Monday 24th October 2011.
 
 
Thomas Dolby’s impressive recording and production career now stretches a staggering thirty years. He was the producer for seminal rap heroes Whodini, but his commercial breakthrough came with the 1982 release of his very first album, ‘The Golden Age Of Wireless’. Go back a year and Dolby’s innovative synthesiser work was already making its mark – he wrote the mesmeric synth intro to Foreigner’s ‘Waiting for A Girl Like You’.
 
 
In 1983, he appeared on Def Leppard’s ‘Pyromania’ album and in 1984 Dolby’s second album, the expansive masterwork, ‘The Flat Earth’, featured Dolby’s biggest single success - ‘Hyperactive!’ - a fine piece of pop-art funk that was originally written for Michael Jackson. After successfully producing Prefab Sprout's revered 'Steve McQueen' album, Dolby would spend the rest of the decade working with George ClintonDavid BowieRoger Waters of Pink Floyd, Stevie Wonder and Herbie Hancock..
 
 
The five-time Grammy®-nominated British artist quit the music business in the early ’90s and spent many years in Silicon Valley, where his tech company Beatnik Inc. created the ringtone synthesizer embedded in more than three billion mobile phones shipped by Nokia, Motorola, Sony Ericsson and others.
 
Of the new album, which is divided into three parts, Dolby says, “The new songs are organic and very personal. ‘A Map Of The Floating City’ is a travelogue across three imaginary continents: In Amerikana I’m reflecting with affection on the years I spent living in the U.S.A., and my fascination with its roots music. Urbanoia is a dark place, a little unsettling…. I’m not a City person. And in Oceanea I return to my natural home on the windswept coastline.”
 
 
“I marvel at the new landscape of the music business - distribution via the Internet and recording technologies I barely dreamed of when I started out,” he continues, “but this album does not sound electronic at all. I have zero desire to add to the myriad of machine-based, synth-driven grooves out there. The Net has made a music career approachable for thousands of bands - but I hear too few single-minded voices among them, so I’m returning to what I do best, which is write songs, tell stories.”
 
 
Thomas Dolby UK Tour Dates
ticketweb.co.uk - 0844 477 2000
 
*Sunday 6th November        
O2 Shepherd’s Bush Empire (£25.00 adv)
 
*Monday 7th November       
The Forum, Hertfordshire (£21.50 adv)
 
*Tuesday 8th November      
O2 Academy Bournemouth (£21.50 adv)
 
Wednesday 9th November
The Assembly, Leamington Spa
 
Friday 11th November
Gaiety Theatre, Isle of Man (£25.00 adv)
 
*Saturday 12th November
Stanley Theatre, Liverpool Guild of Students (£21.50 adv)
 
*Sunday 13th November
O2 Academy2 Birmingham (£21.50 adv)
 
*Monday 14th November
O2 Academy Oxford (£21.50 adv)
 
*Wednesday 16th November
O2 ABC Glasgow (£21.50 adv)
 
*Thursday 17th November
O2 Academy Sheffield (£21.50 adv)
 
Friday 18th November
Picturedrome, Holmfirth
 

19 July 2011

Unfold return with New Album Cosmogon

 
 
After years of absence, they are back. Yes, we were expecting this moment for a while now ! The day we would be able to announce the new release of the kings of Swiss heaviness : Unfold.
 
Following their unique path of tortured dementia, the band delivers an ultimate six tracks of epic intensity, a burst of pure sludgy hardcore combined with perfect melodies and walls of massive aggression.
 
 
 
 

4 October 2010

Sandriver - EP Review


Hailing from Durham in the Northeast of the UK has entirely no reflection on the music the sandriver band compose and sing. The music they conjure up is more likely to remind you of the Mississippi and the deep south of America than a city in England. The sandriver band consists of Si Robinson on Guitar and vocals and Guy Siviour on Drums / percussion and their mix of blues and folk influenced music will definitely leave you wanting more.
We were lucky to be invited by the band to review their self titled E.P Sandriver.
Consisting of 6 songs the variation in sounds between them is vast. They cover blue grass, indie, blues, and folk and though at times very derivative they bring a unique and fresh outlook to the music. The slow and melancholy sounds and lyrics of songs such as Love will have you slipping back and wishing of an open log fire to crawl to. Where as in songs, like the reprisal and Kid Dust, are complete contrasts to this and make you want tap your feet and clap your hands. Though, as mentioned before, the songs can be derivative of other musicians, as in the song Letter to the Lovers which sounds not far off a Radio Head track, Si Robinson brings his own unique vocal talent to it so you are soon you are oblivious to any similarity that it may have had.

Over all this was a well rounded EP with much variation on each track so that you don’t become bored listening to it. It opens a new sound to many listeners who may not be familiar with blues and folk and puts a nice slant on the familiar sounds created in this genre

The EP can be downloaded at the site below

http://sandriver.bandcamp.com

http://www.myspace.com/sandriveruk

5 May 2010

New Band Alert - Pearly Gate Music (No 778)

Hometown: Seattle, Washington.

The lineup: Zach Tillman (vocals, guitar), Josh Tillman (drums), Joe Syverson (bass), Colin Wolberg (guitar).

The background: The history of rock is full of examples of what happens when siblings form bands. The Kinks, Sparks, the Jesus and Mary Chain, and Oasis all feature creative alliances fuelled by brotherly tension. With Josh and Zach Tillman, we don't get to see sparks fly because they've each got their own outfit – the former is in Fleet Foxes while the latter has his Pearly Gate Music, which began as a lo-fi, laptop-and-scratchy-guitar bedroom exercise, although it's grown to include Zach's drummer brother as part of his recording and touring band.

That said, unlike Oasis, the Kinks, and the Mary Chain, Pearly Gate Music aren't about fury and flying sparks (as for Sparks themselves, they merit a category all their own). No, PGM make a hymnal, spectral sound that is often quiet, even sepulchral, so much so that this could function effectively as alternative church music – a lone, mysterious church that you might stumble upon in some backwoods somewhere – and in this respect it's definitely a case of, if you like Fleet Foxes, you'll love PGM.

There are differences. We can't put it any better than the reviewer who concluded that, though both Tillmans are Neil Young fans, Zach is more about the haunted, harrowing folk-blues of On the Beach than Josh and Co's sweeter After the Goldrush influences. Or to put it another way: he's more Hank Williams than Brian Wilson. This is indie-country, although there are echoes of other stuff here – on Golden Funeral, the startling opener of the self-titled debut album, you think of Alex Chilton's fractured, after-hours ballads from Sister Lovers, but then suddenly a track like Big Escape will veer closer towards power pop territory, even if it is done on the cheap, bringing to mind an unplugged version of Big Star's Radio City. But what really makes PGM and FF blood brothers are Zach Tillman's vocals – when Josh joins in on Oh! What a Time, they evoke the pure, clear tones of those other warring siblings, the Everlys.

When he was a kid, the Tillman family home caught fire and Zach got trapped in the attic where he was "putting the finishing touches on the handmade crafts I was gifting my parents and siblings that year". By the time the rescue crew got to him through the flames, he had been "technically dead for at least three minutes". Bizarrely, when he came to, he discovered that he could sight read any piano sheet music that was put in front of him, from Thelonious Monk to Mozart. He's since lost this strangely acquired skill, but you still get a sense with PGM – as you do with FF – of a musician in touch with mystifying sources.


30 April 2010

The Like announce new single, dates and album


Taken from their new album, 'Release Me’, which was produced by Mark Ronson and is set to be released this summer, The Like’s new single 'He’s Not a Boy’ is to be released May 31st through Downtown/Polydor.

Their debut album, 'Are You Thinking What I’m Thinking’ was released a few years back and subsequent tours including shows opening for Muse and Kings of Leon have got them a lot of supporters.
Having just finished touring the US with Arctic Monkeys, The Like are in the UK this week, bringing their "super-cool 60’s influenced feisty pop" to stages across London, including the Camden Crawl.

The Like are playing these shows from Friday onwards:

30th April Club NME, Koko London
1st May Camden Crawl London
1st May Proud Galleries London
2nd May Notting Hill Arts Club London
4th May Pure Groove In Store London
5th May The Old Blue Last London

He's Not A Boy from The Like on Vimeo.




The Like announce new single, dates and album


Taken from their new album, 'Release Me’, which was produced by Mark Ronson and is set to be released this summer, The Like’s new single 'He’s Not a Boy’ is to be released May 31st through Downtown/Polydor.

Their debut album, 'Are You Thinking What I’m Thinking’ was released a few years back and subsequent tours including shows opening for Muse and Kings of Leon have got them a lot of supporters.
Having just finished touring the US with Arctic Monkeys, The Like are in the UK this week, bringing their "super-cool 60’s influenced feisty pop" to stages across London, including the Camden Crawl.

The Like are playing these shows from Friday onwards:

30th April Club NME, Koko London
1st May Camden Crawl London
1st May Proud Galleries London
2nd May Notting Hill Arts Club London
4th May Pure Groove In Store London
5th May The Old Blue Last London

He's Not A Boy from The Like on Vimeo.




5 April 2010

New Young Pony Club underage special



Bringing together the most exciting acts currently causing a stir, the line up for this one of special at East London’s Village Underground will kicks off with New Young Pony Club; forget everything you thought you knew about the band because on their second album it's all changed. If 2007's critically acclaimed, Mercury Music Prize nominated 'Fantastic Playroom' was the zenith of the hybrid indie-disco sound they pioneered, 'The Optimist' heralds the beginning of a brave new future for the band that will be evident for all to see at their Underage Club appearance.

Egyptian Hip Hop, a band young enough to be Underage Festival customers themselves, will be showcasing the stunning music that’s made them one of the year’s most hotly tipped bands. Stretching stylistically from beguilingly expansive instrumentals to visceral punky sounds the band want to make atonal music, leaving you to decide if it’s uplifting or melancholic.

Helpfully describe themselves as 'the triple distilled essence (and sensibility) of an artistic huddle of mischievous musicals' Django Django, mix real and electronic sounds referencing everything from dub to glam rock but sounds mind-blowingly like nothing you’ve ever heard before. Mask-wearing London three-piece Is Tropical are the latest skuzzy, bedroom electro noise-makers to set tongues wagging. Mixing escapist elements with a low-fi sensibility that’s about as D.I.Y as you can get without actually going to B&Q, the band has a live show that sees them totally immersed in music, with their self-edited videos completely covering the stage.

Late Of The Pier Soundsystem is the exciting new side project of one of the undisputed great bands to emerge from the new rave scene. This dance soundsystem features live instrumentation, and is sure to channel more of the magic forces unleashed on debut album Fantasy Black Channel, fine tuned by Erol Alkan in 2008. Which of the numerous psych, punk or krautrock records that influenced The Horrors will be included in the DJ set of frontman Faris Rotter? The band have proved their musical pedigree on various playlists and radio shows, so expect nothing less than track after track of unquestionably good music.

31 March 2010

CHRISTINA AGUILERA: NEW SINGLE - NOT MYSELF TONIGHT

Christina Aguilera is a naughty, naughty girl in her new single, “Not Myself Tonight,” the first track to be released from her forthcoming fourth studio album, Bionic.

The up-tempo Polow Da Don-produced track finds Xtina seductively cooing about losing her inhibitions at a nightclub where she’s taking shots, kissing boys and girls, and just not giving a f***.

But along with losing her inhibitions in the song, Christina seems to have lost herself musically. “Not Myself Tonight” will undoubtedly work in the clubs where the names and voices of the artists “singing” make no difference as long as the beat is danceable, but for an artist with a voice like Christina’s — quite possibly one of the best voices of our generation — it does nothing to showcase her as a vocalist and it’s a step in the wrong direction. A direction where she feels she has to compete with artists like Britney Spears and Lady Gaga who do dance music well.

Here’s hoping Bionic isn’t bogged down with “Not Myself Tonight” sound-alikes, and judging from the interviews Christina has given about the album, it won’t be. Thank goodness.

28 March 2010

REVIEWS




OFFICER KICKS – CITY WIDE CURFEW REVIEW.

Every now and again a band comes along that you say to yourself “why aren’t these guys massive!!!” Officer kicks are such a band and city wide curfew is the debut album.

Officer Kicks is KEITH WICKHAM (drum), MICHAEL SKORJANEC (bass), JAMIE SCALLION (vocal), JAMIE FISHER (guitar) and we at Musicmafiauk have managed to secure a pre-release copy of the album out on April 19th from our friends at Artfulmtb
(http://www.myspace.com/artfulmtb) and let me tell you, I’m glad we did.

This album is original, refreshing and just the thing we need to get us away from all the coldplay, Paloma Faith dross we have been exposed to recently.

From the first track “Murderland” we are thrown into a heady mix of rocking guitar riffs, thumping rhythm and intense vocal displays from the man scallion. The album stomps along bringing track after track of pure melody and lyrics that will have everybody singing along at concerts. Songs like “Tom Thumb” and “Control Sick” are two such songs and with songs like Automatic, that may have that Oasis influence within it, id none the less a stand out and stand alone track that works.

Don’t get me wrong. Officer Kicks aren’t only just about amazing catchy rock riffs but also show their versatility on such tracks as “Mrs Anderson” the gorgeously poetic “White Heat” which concludes the album on a haunting note with the beautiful piano accompanying Scallions hurt and emotional vocals.

All in all, this album is packed with great songs, catchy melodies and lyrics and most of honesty. Something which a lot of the bigger bands have forgotten about in their road to glorious indie fame.

I have seen these guys perform before and they blew me away but with this new material in their arsenal they are sure to not only bring the house down but probably the whole neighbourhood and surrounding counties!


NEW YOUNG PONY CLUB, KAROVA LIVERPOOL 26/3/10








Well heres the first of our reviews/Interviews. This is with New young Pony Club who have just finished a UK tour and soon to be embarking on a european tour with their new album The Optimist. This was during their gig at The Karova in Liverpool.

How is the tour going up to now?
Andy: Really good! All the crowds have been really supportive. Glasgow and Bristol especially were great
How you feeling about tonight’s gig at the Karova?
Andy: We have a few little hometowns like Brighton and of course Liverpool. We have played here so many times that we now feel it’s a home from home especially as the guy that designs our album cover etc is from here, so we are feeling really good about tonight.
What response have you had from the new album “The Optimist”?
Andy: The album response has been amazing. It’s been kind of mixed in some places but the people who got it have loved it and people like NME have given us a brilliant review.
Tahita: I think it’s also split a lot of people who wanted us to do what we did before because they loved it and then there are the people that thought the last album was annoying and wanted us to grow more and do something that they related to more and those people are loving it.
Andy: Reactions from different countries has been varied. I think people in this country believed the hype and the new wave hype. Other countries just went out and bought it because they just saw us as a band and saw it as a progression from the last album.
Was it difficult to make this album?
Andy: To be fair it didn’t come really quickly, it took a while for us to get going and to realize what it was we wanted to do with this record, that in itself took a bit of time, but that was mainly due to getting over a massive year long world tour and massive schedule but once we settled back into it it became a lot easier.
Tahita: It was harder to make because we were trying to do something different. We threw ourselves out of our comfort zone. It’s like the saying that when things are darkest and you’re the most afraid, it’s then that you know you’re going somewhere new. So in that respect, in sort of keeping the faith and continuing to move forward as hard as we could, that helped. It’s definitely beneficial to be out of your comfort zone. It’s terrifying and you freak out but at the same time we wouldn’t have made a song like The Optimist if we had still been in the fantastic place we were. The strongest songs on the new album I feel are when we are furthest out of our comfort zone
The new album is a lot darker than the first. Was this intentional?
Tahita: I think it was intentional, yes. It was something we had talked about after the last album and we were aware that we were no longer these 18 year old party animals and that we have had our darker times.
Why “The Optimist” as the title to the album?
Andy: Well I think because we were going through some troubled times ourselves the optimism came from the music we were making.
Tahita: It felt like we were moving forward.
Andy: And that kept us optimistic that the band was going to keep on going through those troubled times and not fall apart. Our biggest fear was that the we would make a duff album which has been the downfall of some many bands before us. We didn’t want to rush something out and it was rubbish and that was always in the back of our minds so there was optimism there when the music started to come together.
The single “Lost a girl” seems to have a new order influence to it, was that intentional?
Andy: Well if there is it wasn’t intentional. I’ve never been a big fan. Of course they had their moments but I prefer them before they became as popular as they did, when they still had some of the darkness from from Joy Division. I found there was a lot of optimism in the ceremony single so that’s why it wasn’t unusual to call this album The Optimist. You need to bring the hope into music when things aren’t always so bright.
Finally, will you be playing the NME tent at the festivals this year?
Andy: Yes we will still be doing that again this year. We always enjoy doing the later slots at festivals and in a smaller arena because, especially with the new material, it’s more intimate. It should be good.