New Orleans Hot 8 Brass Band Liverpool Eric's 3 March

HOT 8 BRASS BAND
£17.50 Ticketmaster or Box Office 0151-236 9994
Eric's , 9 Mathew Street, Liverpool, Liverpool, L2 6RE
Sunday 3rd March 2013

New Orleans Hot 8 Brass Band Liverpool Eric's 3

Eric's is about to get hot and brassy as the Hot 8 fly in with their spiced up gumbo funk and hip hop spiced up with authentic New Orleans street band flavours.

The Hot 8 Brass Band is the world-renowned New Orleans based brass band that blends hip-hop, jazz and funk styles with traditional New Orleans brass sounds with stunning results.

Playing New Orleans clubs and traditional jazz funerals and street marches, in the wake of Hurricane Katrina, the Hot 8 Brass Band was propelled into the international spotlight by an appearance in Spike Lee's film When the Levees Broke: A Requiem in Four Acts. Since then the band has toured the world with their authentic and totally unique New Orleans street sound. Famous for their blistering, high energy performances - expect them to tear the roof off of the venue at this much-anticipated Liverpool visit.

New Orleans’ Hot 8 Brass Band was founded in 1995 by tuba player Bennie Pete, Jerome “Bay Bay” Jones (trombone) and Harry “Swamp Thang” Cook (bass drum) to play brass band music professionally. Although many of the current members began playing together in high school, over time the line-up has inevitably shifted and changed, and continues to do so. But any incarnation of Hot 8 Brass Band will boast eight or nine players of the highest rate, bringing the passion and noise through a bevy of trombones, saxophones, trumpets, snare and bass drums, all buoyed up by the immense tuba basslines of band leader Bennie Pete. These musicians over the years have been inspired by artists such as Tuba Fats, Leroy Jones, Louis Armstrong, JJ Johnson, Stevie Wonder and Jackie McLean, and have variously recorded and performed with some of those mentioned and more. They also continue to cite each other as influences.

Robert Luis and Paul Jonas of Tru Thoughts first heard Hot 8 Brass Band when Quantic (having got his hands on a rare copy via DJ Concerned) played their cover of “Sexual Healing” in a New York DJ set. Witnessing first hand the unprecedented and spontaneous round of applause that sprang up from the crowd, they knew this band had something special. So they had a scout around for more of Hot 8’s music. The band had previously been signed to the label “Louisiana Red Hot,” a label which had been, along with so much else in New Orleans, all but wiped out by Hurricane Katrina, and much of their previous material had been taken with it.

Over the next few months Tru Thoughts signed Hot 8, and released “Sexual Healing” as a very limited edition single in summer 2007. All 500 copies were snapped up immediately, making it the fastest-selling single in the label’s history. Following a flood of enquiries, the single was then given a wider release on 1st October and the album “Rock with the Hot 8” came out on 15th October 2007 to widespread acclaim. Listen to the elegant jumble of jazz & soul, thrown in a sack with traditional boisterous brass band music and shaken roughly with unmistakable hip hop attitude, and you will know this music could only have come from New Orleans. The band’s first ever UK live dates came in February 2008, with a sell-out tour which blew the minds of audiences up and down the country and won an army of dedicated new fans. The second single, “What’s My Name? (Rock With The Hot 8)” was released at this time, and this rambunctious cover of the Snoop Dogg track was a huge crowd-pleaser and received rave reviews.

Whilst in the UK, Hot 8 Brass Band attracted a phenomenal buzz, appearing on The Culture Show on BBC 2, recording a Maida Vale session for Gilles Peterson’s show on BBC Radio 1, and laying down a couple of tracks with Basement Jaxx. Their music has also featured on a Volkswagen advert. The phenomenal success of the tour prompted a call from the Big Chill festival, where they played a crowd-pleasing set in August 2008 and were picked as a festival highlight by the Observer newspaper, along with a series of other UK dates.

With a second album in the pipeline and new material at the ready, Hot 8 Brass Band have just completed another comprehensive UK and European tour, this time upping the stakes to included a set at Glastonbury festival (where they were interviewed by the Guardian, appearing in the paper on the following Monday; and filmed for BBC2’s prime time coverage of the event). Other major dates on this tour included the immense Roskilde festival, and a roof-raising show at London’s Scala.

Hot 8 Brass Band have always believed in contributing to their culture by playing in traditional Second Line parades, expressions of freedom and community through music and interaction. They have earned a great reputation on the streets, with seemingly boundless work ethic and energy: Hot 8 have been known to pack in nine shows in a single day.

Having survived one of the worst natural and political disasters the USA has ever known – Hurricane Katrina – Hot 8 have thrown themselves into the subsequent relief and awareness projects to aid their community’s redevelopment and recovery. They have been a key band in “SAVE OUR BRASS!” a local grass roots project that has brought music to evacuee shelters, temporary trailer parks and reached out to New Orleanians. Through their music, and the spirit that pulses through it, this group of New Orleanian natives are bent on keeping the traditional street brass of their city alive, albeit embellished with their own edge, and using that history and tradition to unite people in confronting the problems that face them today. They were also featured in the Spike Lee post-Katrina documentary “When the Levees Broke.”

Over the years Hot 8 Brass Band have faced more than their fair share of adversity. Four band members have died (two of them lost to violent acts on the streets of New Orleans) and the band are now active figures in the group “Silence is Violence,” an anti-violence campaign that was founded following the murder in December 2006 of Hot 8 member Dinerral Shavers. “Finding Our Folk” is another organisation which is a prime concern. It seeks to assist New Orleanians displaced after Hurricane Katrina. The band members’ focus now lies with keeping the problems of the city on everyone’s minds as they travel around the country and the world.

Members of Hot 8 Brass Band have toured in Japan, Europe and the UK. They regularly play at the New Orleans Jazz & Heritage Festival (“Jazz Fest”) and have performed at the San Antonio Zulu Association Festival and the City of New Orleans New Year’s celebration among other major events.

Hot 8 band leader Bennie “Big Peter” Pete sums up what their music means to them and the wider world: “Hot 8 music is feel good music…music with a message. It’s life music.”

For information on charities that directly help the community in New Orleans, please see the label notes for the album “Rock with the Hot 8.”

http://www.hot8brassband.com/

Trombone Shorty Coming to Eric’s, Liverpool

Eric’s, Mathew Street, Liverpool

Friday 23rd September 2011
Tickets £20 - www.ticketweb.co.uk
"Horn player Trombone Shorty is at the vanguard of a young generation breathing life back into the blues tradition of New Orleans"
The Telegraph, June 2011

RARE indeed is the artist with the virtuosity to draw the unqualified respect of some of the most iconic legends in jazz and the ability to deliver a high-energy funk rock show capable of mesmerizing international rock stars. Troy "Trombone Shorty" Andrews is one such artist - and there is no one else like him.

Andrews hails from the Tremé neighborhood in New Orleans' 6th Ward, getting his nickname at four years old when he was observed by his older brother James marching in a street parade wielding a trombone twice as long as the kid was high. Troy started early, learning how to play drums and what he remembers as "the world's smallest trumpet" at the age of three.

By the time he reached six, this prodigy was playing trumpet and trombone in a jazz band led by his older brother James, himself a trumpet player of local renown who has been called "Satchmo of the Ghetto."

During a visit to a small New Orleans club, Bono and the Edge saw the 12-year-old trombone player."We walked in and the place was jumping. There was this little funk band, but they were all playing brass instruments, which is something I'd never heard of or seen before," The Edge recalled "We were just mesmerized by him.  I ended up with Bono, after a few tequilas, dancing with a bunch of girls on the top of the bar. It was one of those sort of nights."
Andrews follows his Grammy nominated Backatown‚ CD with For True to be released Sept 13 on Verve Forecast. For True‚ features Andrews' band, Orleans Avenue, as well as a string of legendary performers with whom he recently shared the stage, including Jeff Beck, Kid Rock, Lenny Kravitz, Ledisi, Warren Haynes, Ivan and Cyril Neville, The Rebirth Brass Band and more. Troy wrote or co-wrote all 14 tracks on the new album including co-writes with Ledisi, Kid Rock, the legendary Lamont Dozier and more. The CD was produced and engineered by Ben Ellman (except "The Craziest Thing" produced by George Drakoulias).

The singer/songwriter/multi-

instrumentalist has earned unanimous raves on 5 continents in the past year alone with his patented high energy 'SUPAFUNKROCK' sound. Following the 2010 release of Backatown, which spent 10 weeks at #1 on Billboard's Contemporary Jazz Chart and still reigns in the top 10 over a year after its release.

"There was excitement from everywhere," says Andrews (who's now 25) of the experience on the road and how it fed into the creation of For True. "We did over 200 shows in the last year and a half, and every night we allowed the music to take us over. Musically and creatively, we wanted to shoot for some different things."

"We never sat down and really thought about concepts and what we wanted our music to sound like," Andrews explains. "It's just that, over the years, we allowed each one of the band members to bring their influences and taste in music into our music. Anything we hear or are influenced by, it naturally comes out in what we're trying to do. It's just our sound, and it happened naturally."

Andrews wrote or co-wrote all 14 tracks on the new album, including collaborating with the legendary Lamont Dozier on "Encore," while this time playing as much trumpet as trombone, as well as organ, drums, piano, keys, synth bass and percussion. Indeed, he played every part on the swaying, Latin-tinged "Unc." He's also come into his own as a singer, honoring the hallowed legacy of the great soul men of the 1960s and '70s. Like its predecessor, the new album turns on a rare combination of virtuosity and high-energy, party-down intensity.

"On the last record, we just basically did it with my band," Andrews points out, "but we've got a lot of New Orleans people on this new record - the music just called for it. The Rebirth Brass Band, these are all people that helped me grow in my career and teach me different things. And 5th Ward Weebie, who's one of the lead voices in the bounce community, we're like brothers. I'm excited to have those people on there, because they bring a taste of where I come from and where I'm going."

The album also bears the fruit of more recent relationships Lenny Kravitz (who plays bass on "Roses"), has the longest-standing bond with Andrews, discovering the then-teenage prodigy in 2005 and taking him on tour with his band. Calling Andrews "a genius player," Kravitz says, "He's got nothing but personality, he plays his ass off and he's a beautiful human being." Kid Rock (whose vocal is featured on "Mrs. Orleans") came out to see Trombone Shorty & Orleans Avenue at an outdoor show early this year in NOLA, and a month later Troy joined the star onstage at Jazz Fest. Andrews played with Warren Haynes (whose eruptive solo further heats up "Encore") at his annual benefit and again at the guitarist's Mahalia Jackson Theatre all-star event during this year's Jazz Fest. Ledisi (who sings on "Then There Was You"), met Troy at the 2010 Grammys, later came out to see him in New Orleans and was later featured in a segment for the landmark "Red Hot + New Orleans" at the Brooklyn Academy of Music, for which Andrews served as musical director.

His relationship with Jeff Beck (check out his blistering solo on "Do to Me") has blossomed since the guitar legend came to Troy's late-night post-Jazz Fest show at Tipitina's in 2010. "I was completely blown away," Beck said of his Tip's epiphany in Mojo magazine's "The Best Thing I've Heard All Year" special feature in January. "The crowd went wild. Troy and his band have just supported me on some U.K. dates. A sensational group of musicians. Trombone Shorty is one to watch." That led Beck to ask Andrews to play on Jeff Beck's "Rock 'N' Roll Party Honoring Les Paul," and Trombone Shorty & Orleans Avenue joined Beck for his U.K. tour last year.

"I'm fans of all those people," says Andrews. "I met them over the last year or two of touring, and I've been wanting to work with all of those guys and Ledisi. It's like this musical community. It's not like I reached out to them because I needed some big names on the record. I'm really interested in their music and their talents. So for me it's a dream come true to work with some of my favorite artists. Whatever they need me to do, I'll be there."

Since Backatown's release, Trombone Shorty & Orleans Avenue have toured nonstop in North America, the U.K., Brazil, Japan, Europe and Australia. Last December, Andrews drew accolades as musical director of "Red Hot + New Orleans" at BAM. The sensational two-night run inspired The New York Times senior music critic Jon Pareles to assert, "Trombone Shorty had clearly set out to present New Orleans as a city whose glory days aren't over... it was a signal that the city's music would push ahead."

Yes, Andrews has made quite an impression on the critics. "Trombone Shorty is so ready for his close-up," The New York Times reviewer Nate Chinen wrote, describing the young virtuoso as "a native prodigy destined for breakout success." The San Francisco Chronicle's Joel Selvinhailed him as "New Orleans' brightest new star in a generation." Rolling Stone's Will Hermesraved that "Backatown is both deeply rooted and culturally omnivorous." And the Washington Post's Mike Joyce described one live performance as "a near-deafening, funk-charged blast of percussion, brass, reeds and guitar distortion that might have knocked the crowd sideways had there been any room to move."

TSOA's performances at and during the New Orleans Jazz Fest are legendary. This year, in one day, Troy sat in for a set of free jazz honoring a recently passed mentor. From there he sat in with Kid Rock. Then to the Gospel Tent for a featured slot with cousin Glenn David Andrewsbefore literally running back to the main stage to close the Festival as a special guest of the Neville Brothers.

His respect across a broad spectrum and his musical versatility is further evidenced by his performance resumé, playing at events as diverse as Bonnaroo, the Playboy Jazz Festival at Hollywood Bowl, the Montreal, Montreux and Monterey jazz fests, Hardly Strictly Bluegrass in San Francisco, Austin City Limits, Fuji Rock in Japan, Philadelphia Folk Fest, Jam Cruise, assorted Blues Festivals and even a Reggae Festival in Germany. The band spent the month of July crisscrossing Europe to perform at festivals from Spain to Slovakia. Andrews has also done a ton of TV, appearing on The Late Show With David Letterman, The Tonight Show With Jay Leno, Jimmy Kimmel Live, Good Morning America, Tavis Smiley, NFL Kickoff (joining Dave Matthews Band) and a recurring role on the hit HBO seriesTremé, on which he played himself in a recurring role. Along with appearing on Beck's Les Paul tribute, he's been a featured guest musician on the latest releases from Eric Clapton, Kravitz, Galactic and Sierra Leone's Refugee All Stars.

Not long afterward, Troy formed his own band with some other musically inclined kids from Tremé, including current band mate Williams, and they became regulars at Jackson Square, with dreams of following in the footsteps of his brother James and Rebirth Brass Band, learning and carrying on the New Orleans tradition.

While not only carrying on that tradition and expanding its boundaries, Troy has lent a generous helping hand to the next generation as well, having given longstanding support to the city's renowned Roots of Music program. Troy was also recently honored by being named the youngest member of the NOCCA Foundation board - the foundation behind New Orleans' Center for the Creative Arts where Troy and several of his band members studied and began collaborating. He's also finalizing plans for his own new foundation aimed at making sure that talented younger players with limited resources can get quality instruments to play. Starting in September, he'll be delivering Trombone Shorty trumpets and trombones to talented young musicians across the city.