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Showing posts with label photographs. Show all posts
Showing posts with label photographs. Show all posts

16 July 2012

Photographs by Mick Rock now available on Artspace


Mick Rock

Photographs by Mick Rock now available on Artspace

Tomorrow at 11am ET, Artspace.com will begin selling works by legendary rock and roll photographer Mick Rock. The photos, which can be seen here: http://www.artspace.com/mick_rock, feature David Bowie, Lou Reed, Syd Barrett, Mick Jagger, Debbie Harry and more.
 
Artspace.com, the leading online marketplace for contemporary art, is pleased to announce the release of twelve works by legendary rock and roll photographer Mick Rock. Celebrated for his raw, attitudinal documents of life on stage and on the road with the biggest names in music—from David Bowie and the Sex Pistols to Snoop Dog and Daft Punk—Rock has shown his indelible images in museum exhibitions around the world.

The image of Mick Jagger (pictured above) was taken at the Rolling Stones' biggest concert in the United Kingdom for their 1975 world tour. The now legendary photograph of David Bowie, Iggy Pop, and Lou Reed (pictured above) was taken at tea time at a 1972 press conference at the Dorchester Hotel. Rock and Syd Barrett, most famous as the lead singer of Pink Floyd until 1968, were high school friends. In 1969, Barrett asked Rock to photograph the album cover for his solo album The Madcap Laughs (pictured above). Each of these three works will be available on Artspace in an edition size of 90 for $1,200 each.

Additional photographs featuring Bob Marley, Debbie Harry, The Ramones, David Bowie/Ziggy Stardust, Kate Moss, and Queen will also be available for purchase on Artspace beginning Tuesday, July 17, 2012 at 11:00am.

As part of a series known as Artspace Artist Talks, Artspace will hold a members-only event with Mick Rock on Wednesday, July 18th at Soho House in New York (29 9th Avenue btw 13th & 14th Streets) from 7:00 – 8:30. During the event, Artspace editor-in-chief Andrew M. Goldstein will talk to the legendary photographer about the stories behind his pictures, the way he gets his iconic shots, and where he's training his lens in today's music scene. RSVP required.


About the Artist – Mick Rock
Often referred to as "the Man Who Shot the Seventies," legendary rock and roll photographer Mick Rock was instrumental in creating many key rock ’n’ roll images such as album covers for Syd Barrett’s The Madcap Laughs, Lou Reed’s Transformer and Coney Island Baby, Iggy and the Stooges’ Raw Power, Queen’s Queen II and Sheer Heart Attack, the Ramones End of the Century, and Joan Jett’s I Love Rock ’n’ Roll, among many others. He was the chief photographer on the films The Rocky Horror Picture Show, Hedwig and the Angry Inch, and Shortbus. In addition, he produced and directed several seminal music videos for David Bowie. In recent years he has published a series of books, many based on his classic images.

Rock’s enthusiasm for his art has remained undimmed and he continues to capture the musical spirit of succeeding eras through his work with musicians of the 1980s, 1990s, and the new millennium. His recent subjects include Snoop Dogg, Maxwell, Alicia Keys, The Gossip, Lady Gaga, The Killers, The Scissor Sisters, Michael Buble, Michael Stipe, Kate Moss, The YeahYeahYeahs, The Chemical Brothers, Janelle Monae, Queens of the Stone Age, Daft Punk, Kasabian, Snow Patrol, Daniel Merriweather, Black Keys, Hall & Oates, Peter, Bjorn and John, MGMT, Alejandro Escovedo, Pete Yorn, Gavin Degraw, Peaches, Fat Joe, Rhymefest, Nas, Pharrell, Q-Tip, Jane’s Addiction, Tom Stoppard and old friends Bowie, Lou Reed, Debbie Harry, Joan Jett, Motley Crue, and Iggy Pop.

About Artspace.com

Artspace is the leading online marketplace for contemporary art, offering collectors and aspiring collectors the opportunity to discover, learn about and collect art from the top contemporary artists in the world at insider prices. Artspace curators collaborate with internationally renowned artists, museums and galleries to provide the world's best collection of contemporary art online, in a single location. Artspace serves as a trusted art advisor offering information and education on every featured artist and work on the site in order to provide members with the details they need to make informed and confident purchase decisions. Membership to Artspace is free, prices start at $200 and every sale of artwork on the site supports an artist, cultural institution or non-profit organization. For more information, visit Artspace.com


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28 March 2010

REVIEWS




OFFICER KICKS – CITY WIDE CURFEW REVIEW.

Every now and again a band comes along that you say to yourself “why aren’t these guys massive!!!” Officer kicks are such a band and city wide curfew is the debut album.

Officer Kicks is KEITH WICKHAM (drum), MICHAEL SKORJANEC (bass), JAMIE SCALLION (vocal), JAMIE FISHER (guitar) and we at Musicmafiauk have managed to secure a pre-release copy of the album out on April 19th from our friends at Artfulmtb
(http://www.myspace.com/artfulmtb) and let me tell you, I’m glad we did.

This album is original, refreshing and just the thing we need to get us away from all the coldplay, Paloma Faith dross we have been exposed to recently.

From the first track “Murderland” we are thrown into a heady mix of rocking guitar riffs, thumping rhythm and intense vocal displays from the man scallion. The album stomps along bringing track after track of pure melody and lyrics that will have everybody singing along at concerts. Songs like “Tom Thumb” and “Control Sick” are two such songs and with songs like Automatic, that may have that Oasis influence within it, id none the less a stand out and stand alone track that works.

Don’t get me wrong. Officer Kicks aren’t only just about amazing catchy rock riffs but also show their versatility on such tracks as “Mrs Anderson” the gorgeously poetic “White Heat” which concludes the album on a haunting note with the beautiful piano accompanying Scallions hurt and emotional vocals.

All in all, this album is packed with great songs, catchy melodies and lyrics and most of honesty. Something which a lot of the bigger bands have forgotten about in their road to glorious indie fame.

I have seen these guys perform before and they blew me away but with this new material in their arsenal they are sure to not only bring the house down but probably the whole neighbourhood and surrounding counties!


NEW YOUNG PONY CLUB, KAROVA LIVERPOOL 26/3/10








Well heres the first of our reviews/Interviews. This is with New young Pony Club who have just finished a UK tour and soon to be embarking on a european tour with their new album The Optimist. This was during their gig at The Karova in Liverpool.

How is the tour going up to now?
Andy: Really good! All the crowds have been really supportive. Glasgow and Bristol especially were great
How you feeling about tonight’s gig at the Karova?
Andy: We have a few little hometowns like Brighton and of course Liverpool. We have played here so many times that we now feel it’s a home from home especially as the guy that designs our album cover etc is from here, so we are feeling really good about tonight.
What response have you had from the new album “The Optimist”?
Andy: The album response has been amazing. It’s been kind of mixed in some places but the people who got it have loved it and people like NME have given us a brilliant review.
Tahita: I think it’s also split a lot of people who wanted us to do what we did before because they loved it and then there are the people that thought the last album was annoying and wanted us to grow more and do something that they related to more and those people are loving it.
Andy: Reactions from different countries has been varied. I think people in this country believed the hype and the new wave hype. Other countries just went out and bought it because they just saw us as a band and saw it as a progression from the last album.
Was it difficult to make this album?
Andy: To be fair it didn’t come really quickly, it took a while for us to get going and to realize what it was we wanted to do with this record, that in itself took a bit of time, but that was mainly due to getting over a massive year long world tour and massive schedule but once we settled back into it it became a lot easier.
Tahita: It was harder to make because we were trying to do something different. We threw ourselves out of our comfort zone. It’s like the saying that when things are darkest and you’re the most afraid, it’s then that you know you’re going somewhere new. So in that respect, in sort of keeping the faith and continuing to move forward as hard as we could, that helped. It’s definitely beneficial to be out of your comfort zone. It’s terrifying and you freak out but at the same time we wouldn’t have made a song like The Optimist if we had still been in the fantastic place we were. The strongest songs on the new album I feel are when we are furthest out of our comfort zone
The new album is a lot darker than the first. Was this intentional?
Tahita: I think it was intentional, yes. It was something we had talked about after the last album and we were aware that we were no longer these 18 year old party animals and that we have had our darker times.
Why “The Optimist” as the title to the album?
Andy: Well I think because we were going through some troubled times ourselves the optimism came from the music we were making.
Tahita: It felt like we were moving forward.
Andy: And that kept us optimistic that the band was going to keep on going through those troubled times and not fall apart. Our biggest fear was that the we would make a duff album which has been the downfall of some many bands before us. We didn’t want to rush something out and it was rubbish and that was always in the back of our minds so there was optimism there when the music started to come together.
The single “Lost a girl” seems to have a new order influence to it, was that intentional?
Andy: Well if there is it wasn’t intentional. I’ve never been a big fan. Of course they had their moments but I prefer them before they became as popular as they did, when they still had some of the darkness from from Joy Division. I found there was a lot of optimism in the ceremony single so that’s why it wasn’t unusual to call this album The Optimist. You need to bring the hope into music when things aren’t always so bright.
Finally, will you be playing the NME tent at the festivals this year?
Andy: Yes we will still be doing that again this year. We always enjoy doing the later slots at festivals and in a smaller arena because, especially with the new material, it’s more intimate. It should be good.