Sound City Liverpool 2015 - Saturday Review

Sound City Liverpool 2015 - Saturday Review 

A warm and sunny Saturday greeted us for the 2nd day of Sound City Liverpool. First up on the viewing agenda was Sun God Replica on the Kraken Stage. The band strike you, straight away, as a band very much influenced by the late 60s/early 70s and their music tends to solidify that assumption. Very heavy riffs with the emphasis on the music rather than bogging people down with too many lyrics. Guitar solos aplenty here. A great set that left your ears ringing.

Speaking of ears ringing, next up on the list for us was God Damn. This is a band we have featured here on MusicMafia a number of times and it was great to be able to see them in action at last. Very reminiscent of Royal Blood with two band members playing the music of 4/5 members, lead singer Thom and drummer Ash make you stop whatever you are doing and look on in awe at the huge solid tunes and the full on, in your face sound. In fact the sound was so intense that next to us, the plastic water container was shaking and moving due to the heavy bass. The set, unfortunately, was way too short and they could have easily entertained for an hour more.

Dutch Uncles on the Atlantic stage had drawn a good sized crowd for their set. The new wave group led by Duncan Wallis, entertained the audience with possibly the maddest dancing I have witnessed. This along with their catchy, toe tapping songs made for a very eccentric set. At times they reminded me of Talking Heads, both lyrically and musically, which isn't at all a bad thing. 

The Membranes  on the Baltic stage, led by the ever youthful, John Robb, provided a fierce and frantic set which consisted of a lot of their new material from the dark energy/dark matter album, engaged the audience from the outset. Forever the front man John Robb manages to make you feel as if you are part of the band. Encouraging and enticing the crowd to sing, stamp and holler as much as possible. 

We decided to move along to the North stage for a bit calm down after that to see the Israeli trio Garden City Movement and it was just what we needed. Standing in the sun watching on with a cool beer in your hand, is a much recommended recipe and bring into that the warm yet upbeat dance-floor tracks being played then you couldn't ask for a better interlude before the main headliner. Judging the reaction of the audience, they felt the same.

The Flaming Lips probably don't need much introduction. The band seem to bring a huge smile to anyone who mentions them and this was certainly evident to the thousands that had come to play witness to the giant spectacle. 

Lead singer, Wayne Coyne, emerged on stage with a giant inflatable turtle attached to his back and dressed in a green lycra suit, he looked more like a human-amphibian hybrid than the leader of a 30 year old strong band.

The Flaming Lips manages to make everything look so easy. Moving from one crowd rousing track to another, they never let the energy drop and never let the energy levels of the audience drop. They take them on a mystical space journey and they are only to happy to follow. 

Using visuals to full effect, including a giant "FUCK YEAH LIVERPOOL" inflatable thrown into the crowd, they leave nothing to chance. Light shows, ticker tape and giant alien creatures are all part of the ride. Even a giant Santa Claus made an appearance on stage much to the delight of the many. 

The highlight as always is Wayne Coyne getting inside his giant inflatable ball to surf across the people and sing whilst being held aloft by many numerous and willing hands. A site that you can never get tired of seeing.

An amazing and enigmatic set. One the likes of Sound City has never seen bodes well for the future. As previously mentioned in Friday's review, there are a lot of things which need rectifying in relation to the site and transport, but for the first time on a new site and with the line up they have managed to pull together, the future bodes well both for Sound City and Liverpool as a festival city on the whole. 

Sound City Liverpool 2015 - Friday Review

Sound City Liverpool 2015 - Friday Review

This year the Bramley Dock site was what Sound City Liverpool 2015 was all about. Moving from multiple venues to consolidate the festival into one area of docklands north of the city centre is a gamble, but is one that had to be made to promote the continued growth of the festival and attract big name acts.

Getting there (or back) wasn't the easiest which has drawn some complaints from festival goers.

The laid on bus finished at 10pm so ignored the fact that thousands of people would be leaving after the headline acts finished, to either compete for a limited number of taxis, or start the half hour walk back to the city centre.

That aside once there the site was great the way it had been decorated and was easy to navigate with all the stages in a five or ten minute walk from each other, although this did give rise to some noise bleed across different performances. It could have been laid out slightly better and used more of the warehouse space as only the Baltic Stage was in one of the large structures, but then this may in itself have been detrimental as I think it was with YAK's performance. This loud rock outfit with a touch of psychedelia didn't struggle to get themselves heard as they filled the venue with their sound but possibly the acoustics of the gigantic warehouse they played in let them down.

Moving on to catch some of KOF at the Cargo stage, I found him to be engaging with the audience with his upbeat music. His alternative souls style is easy to listen to and he aims to spread a more modern message with his music. His backing band had one great character in the lead guitarist, but some of the others were a tad too moody which didn't compliment his performance.

Spector on the Atlantic stage tried to warm up the audience with their energetic enthusiastic performances of their Killer's­esq music, but this was marred with smatterings of pretentiousness.

Whilst singing “Celestine”, Macpherson (vocals) stopped the performance to try and rouse the audience more before restarting the song. This had little effect. When announcing “Chevy Thunder” a handful of fans, stood at the front, whooped with joy, understandably so as it is one of their better releases, but not all the audience were as receptive. It was a shame, maybe it was the time they were on, or the chill wind coming up the Mersey that sapped enthusiasm from the crowd.

Iceage on the Baltic stage, these Danish rockers were loud and moody, maybe a bit too moody. It may just have been this performance, but they finished early with the lead singer saying “that's all were doing tonight” dropping his mic and walking off.

Close Talker on at the Cavern Stage, an energetic 4 piece Canadian alt­indie/ rock group showed how friends who are gelled with each other can make great solid sounding music. Having formed in 2012 they gained more exposure through being finalists in a CBC competition for best Canada's Best New Artist in 2013. Seeing how good these guys were I've have see who they lost to to understand why.

Taffy I must admit was stumbled upon whilst passing The North stage and was one of Fridays best, if not the best, performing groups. Their faultless playing incorporated an excellent rendition of The Cures “Boys Don't Cry “ which captured many passers­by who paused and enjoyed these Japanese rockers. They also must have had the happiest drummer of the festival as he beamed throughout the set. The only downside was the vocals of lead singer, Iris, were drowned out, which went unnoticed by the sound mixer who was happily enjoying the performance.

Everything Everything on the Atlantic Stage I found their live performance although promising with their energy, was just not my thing, and did not live up to their recordings. In­between their plugs for their new album (‘Get To Heaven’ ) I found myself checking Facebook to pass the time before going for a wander.

Once The Vaccines hit the Atlantic stage the large crowd were ready for some high powered music. This was delivered to them with a professionally honed performance including tracks from the new album English Grafitti. One of the few bands to utilise the massive screen behind them they provided a visual experience to match the performance.

All in all not a bad first day of the Soundcity festival and aside from certain hiccups like the aforementioned travel, the long queues for the toilets (must have forgotten the urinals), plus overpriced food and drink that are commonplace for such events I would easily return to the location next year especially if they had a better transportation links. I would also advise people to get a weekend pass as that would also allow you free movement in and out of the site which is very handy when you can pop over the road to The Bramley Moore pub (which soon got crowded) for cheaper food and drink.

Review by Mike Stanford

Polar States @ O2 Academy Liverpool - Review

Polar States @ O2 Academy Liverpool - Review

Toxteth based band Polar States are on the verge of great things. Getting set to record in LA and now on Radio 1's radar, they brought their brand of rock to their home town with an absolutely blistering set in front of a packed crowd, most of them singing along word for word.

When they started to play I thought the walls were going to crumble around us and it felt like my heart was pumping 2 feet in front of my chest.

Long Way Round hooked us in from the opening crunching riff, lead singer Paul Tong is an archetypal front man, sweeping the audience along with his powerful voice complimented by Josh Humphries cutting harmonies. Phill Gornall on bass and Dan Smith on drums complete the line up.

Chasing now has got that marching type beat, that really gets your adrenaline pumping. You get the feeling this band is fighting the corner of the masses, the little man. With their last single vines, which is essentially an ode to the poor, the whole place was chanting along . . .” if you want it then take it” clearly reference to social change. That theme is evident in all their songs, but where these guys pull it out the bag is their ability to get us thinking about these issues but disguised in raucous stomp along anthems.

Polar States are essentially a band that specialise in feel good songs, sometimes slightly reminiscent of The Killers but with Northern accents. Feel good songs that get you thinking about the state of the world we live in. that is no mean feat.

For a band that has only been in existence for 7 months it's phenomenal, their sound was almost too big for the 250 capacity venue and I can certainly see them supporting arena bands and doing the festival circuit. They would have no problem getting 20,000 chanting along with them.

I'm really looking forward to following their career. If you ever get to see them live grab it with both hands and get ready for a blistering set of pumping, relentless songs.

Review by Kevin Wall

Ghostpoet at The Kazimier Liverpool - Review

Ghostpoet at The Kazimier Liverpool - Review

The Kazimier in Liverpool,played host to Mercury Prize nominated Ghostpoet on friday night and for myself it was a wait of 2 years since being unable to get into the same venue at Soundcity due to the popularity of this artist.

Accompanied by his 4 piece band, Obaro Ejimiwe took to the stage in front of a another crowded Kazimier to play old and new tracks alike but primarily from his third album Shedding Skin which has had a lot of critical acclaim in its wake due to its more live and open recording. 

Ghostpoet is what Maxi Jazz is to dance. Vocally very similar and the same laid back approach to the tunes but with that underlying fire in the belly which makes his presence quite electric and. Although not as intense and politically motivated as Faithless and with a more trip hop and funk element to his music, Ghostpoet none the less, gives you that same euphoric feeling and when the tunes slowly begin to build to a crescendo. 

From more down-beaten tracks like That Ring down the drain kind of feeling to the jazz fuelled Off peak Dreams, GhostPoet manages to keep you transfixed on his every move.

Along with the crowd, he grows in stature and confidence throughout the set until by the end both the people in front of the stage and the person on it, merge into one. Dancing, singing and totally immersed in the music.

Two years may have been a while to wait but after this gig it was 2 years worth waiting for.  

More photos can be found HERE

Threshold Festival 2015 - Review

Threshold Festival 2015 - Review

Threshold festival in Liverpool is now in its 5th year and only seems to increase in popularity and audience attendance. 

We started out on the Saturday with a riot rousing set from 67 at the Constellations stage who managed to mix blues,folk and protest music all in one giant ensemble. 

Over on the Baltic Social stage we had a more relaxed laid back outing in the form of Twisted Trees from Liverpool. A glorious 4 piece folk band that, even though some were still hungover from the night before, managed to produce a sublime and chilled set. 

One of the wonderful things about Threshold can be the things you spot moving between venues. The man stood in a plastic container of soil, rubbing it over himself, whilst dancing in a vest and shorts, is one such act that caught our eye. What was it about? Getting back to nature? You can always dance and dig? We aren't sure. But we love it.

Anyway, back to the rest of the day. In the evening we headed over to the Observatory for Mersey Wylie. Daughter of the legendary Pete Wylie and a wonderful vocalist in her own right, Mersey exudes enthusiasm. Along with her brand new band brought the venue up and dancing. With her mix of soul/jazz and blues, you cannot help but be caught up in the 

We stayed at Observatory for London rapper Akala. Akala is known for his no nonsense lyrics and with songs like "Malcolm Said it" and "Knowledge is power" you can see why. Akala, although, does like the audience to participate and the Liverpool crowd didn't fail to keep up their end of the musical bargain. Akala brings a lot of stage presence with him and this rubs off onto the crowd itself who had no problem jumping about and shouting out the lyrics to songs throughout the set. 

Sunday saw us head down to a windy and wet Threshold in the day. We visited Unit 51 to listen to some Merseyrail Sound Station podcasts and to enjoy some wonderful coffee. 

Liverpools' BayTV where on hand to introduce the acts and to do a little impromptu interviews with the acts.

Later on in the evening UNIT 51 were playing host to News From Neptune. A wonderfully, weird guitarist who played a mixture of transcendental and trippy en fused music much to the pleasure of the wide-eyed staring crowd.

Over at District though it was a different story altogether. Wirral based, Steve Thompson and the Incidents were brewing up a rock 'n' roll storm with their old school 90s influenced tracks. Wonderfully in your face and loud, I was quite bemused as to why they only had much a short set and would gladly have listened to more given half the chance.

Speaking about "in your face" music, you couldn't have got any more than that with The Visitors on the Constellations stage. With a voice so low that it could rattle the undead, lead singer Jack BC startles you with his growling and ferocious presence. This was dirty, dark and grungy and unlike a lot of acts we had witnessed over the weekend but it only goes to show the variety of music you can find here at Threshold.

Once again, Threshold is a breath of fresh air in a sea of stiff, over pretentious festivals that litter the yearly music rounds.

It's relaxed, laid back attitude is something we look forward to every year and is slowly carving a name for itself in the minds of music lovers. We for one,hope it lives long and prospers for many years to come.

Chvrches @ Liverpool Music Week - Review

Chvrches @ Liverpool Music Week - Review

Liverpool Music Week came to a close on Friday night and Camp and Furnace hosted the internationally famed Glasgow trio Chvrches for their first ever Liverpool gig and the capacity crowd gave them a wonderful welcome.

So eagerly awaited was the gig, that there was a queue to get in to the location itself.

The trio – Mayberry on vocals, Iain Cook and Martin Doherty played all 13 of the tracks on last year’s debut album The Bones of What You Believe backed by a huge and impressive neon and strobe light show, which lit the room up like a Christmas tree.

Lead singer Mayberry performed with vigour and enthusiasm, and for a petite little figure she certainly had no lack of energy on stage and her rapport with the crowd was obvious, taking time out between songs to chat on to the crowd.

Obviously the signature tracks Recover and The Mother We Share got the biggest response but all of the tracks played were greeted with a wonderful warm reception. Ending with an encore of 3 more songs only heightened the intensity of the gig and left the audience wanting more.

The set came in just under an hour but this was the ideal time for the band to influence the crowd of fans and first timers to Chvrches alike and was a fitting end to what has been, from all accounts, a very successful 10th year for Liverpool Music week. 

With this band closing the event they have certainly upped their game.

More photos can be seen HERE

The Jackobins EP Review | Ghosts

The Jackobins EP Review | Ghosts

The Jackobins are Dominic, Chris, Veso, John and Marc.

The Liverpool based Indie/Alternative band are set to release their debut EP titled 'Ghosts' which will be backed up by a UK Tour with dates yet TBC and we were privileged enough to get a listen.

After seeing this band twice now I never fail to be impressed by their music, lyrics and lead singer, Dominic's, range in his vocals and the E.P. does nothing to take away from this.

Ghosts is a four-track record kicked off by a track that you may have heard as a demo over on the bands Soundcloud page.

First track 'The Otherside' is a track that shows off both the vocals and the bands accomplished instrument playing to full effect. The track slowly builds into a crescendo and when you hear Dominic holding that note for what seems like five minutes believe me, that isn't studio magic, that's him holding that note! The Otherside is upbeat and at times reminiscent of U2's Streets have no name but it doesn't disappoint. 

And once again, (and i know I must sound like a stuck record) on 'She Always Says' the vocals are amazing. Another slow burner of a track which throws you deep into the abyss at the end with definitely no way of crawling out, not that you would want to. Sharp drumming and guitar make this a gorgeous song and 

The third is the title track ,'Ghosts', a much more gentle and chilled song but still pretty explosive in the chorus. Compared to the other tracks its not as in your face but none the less excellent. Powerful vocals (I cant help it!!)  and stylish riffs and a delicate bassline keeps the song structured throughout. 

Ending the EP is the bands first ever track "Prussia". This for me is the most catchy of all the songs on the EP and never fails to get me rocking out and playing air guitar along with the song. It has almost, as far as I'm concerned, faultless as a single and as song. Oozing with attitude and vibrancy.

As mentioned at the start these songs are amazing to see live. The energy of this band live is second to none and I would suggest seeing them whenever you get the chance to experience these tracks first hand. Or alternatively, just go out and buy it!!

Itunes: https://itunes.apple.com/album/the-jackobins-e.p/id786449525?l=de&v0=9988&ign-mpt=uo%3D1

Amazon: http://www.amazon.co.uk/The-Jackobins-E-P/dp/B00HFN4MPY/ref=pd_rhf_cr_p_t_1_VM4D

Reading and Leeds festivals 2014 Round Up

Photographer credit: Jen O'Neill

Reading and Leeds festivals 2014 Round Up

With the dust still settling over the sites of Reading and Leeds, the buzz of three amazing days will live on for months to come. The good news is that Festival goers can already plan ahead with the first Weekend and Early Bird tickets for 2015 now on sale for a limited period at 2014 prices! 

Tickets can be purchased here 

With a homecoming headline show for Arctic Monkeys, who closed Leeds Main Stage in triumphant fashion on Sunday night and played on Saturday in Reading, the rapturous return of Blink 182 with a career spanning set, Queens Of The Stone Age and Paramore’s co-headline slots plus hundreds of top performances from artists, bands, comedians and DJs, Reading & Leeds fans certainly enjoyed a weekend to remember.

In a first for the Festivals Queens Of The Stone Age headlined the coveted Friday night bill at Reading proving they are the consummate rock band with their hit-laden show whilst Paramore headlined Saturday night at Leeds with Hayley Williams leading their enthralling set and at one point bringing her sister on stage for the momentous occasion. With light displays, fireworks and confetti explosions a-plenty, these were two of the best-received headliners of recent years.

Headliners Arctic Monkeys graced the Reading Main Stage on Saturday and Leeds on Sunday where the northern rockers brought their epic AM tour to a fitting end with Alex wearing the white rose of Yorkshire with pride. Accomplished professionals, from the first note to the last, they had the audience in the palm of their hands.  

Blink 182’s performance delivered twenty years of anthems with punchy measures of wit and pop-punk. Spanning a back catalougue of hits including ‘I Miss You’, ‘What’s My Age Again?’ and ‘All The Small Things’ which recived the biggest cheer of the night.

From his debut on the Leeds Festival Republic Stage in 2012, Jake Bugg brought his Reading and Leeds success story to a career defining spot on the Main Stage. The Nottingham based singer songwriter whipped thousands of fans into a sing along frenzy with opener ‘There’s A Beast And We All Feed It’ plus his stomping hits including ‘Trouble Town’ and ‘Lightning Bolt’.

Macklemore and Ryan Lewis put on a hugely entertaining show with fireworks, smoke and pyros. The duo’s set boomed with tracks off their Grammy Award winning album bringing tonnes of fun and at Reading there were not one, but two renditions of ‘Can’t Hold Us’ which the fans lapped up.

The Relentless Stage returned to Leeds Festival kicking off proceedings on Thursday night along the tree-lined avenue. Zane Lowe, DJ Fresh and Klaxons were just some of the DJs to bring the noise and get the party started. The infamous Picadilly Party, this year in partnership with XFM, continued to keep its reputation as one of the best late night parties Leeds Festival has to offer.

It was the summer of secret sets at Reading this year. On the Friday morning Jamie T announced his upcoming evening performance via Twitter. The London troubadour rocked up to the Festival Republic stage to give an explosive performance and delighted the fans with new material including ‘Don’t You Find’. Other secret gigs that pulled in eager fans were Jake Bugg (Saturday) and You Me At Six (Sunday), who both showed up to play stripped back 30-minute sets at the BBC Introducing Stage.

Now each in their second year, the BBC Radio 1 Dance Stage and the BBC Radio 1Xtra Stage were full to the brim with Festival goers. The BBC Radio 1 Dance Stage saw stand out sets from Netsky, Annie Mac, Pendulum and Flume, who had flown in from Australia. Klaxons were a huge draw receiving raputorus cheers for previous material including ‘Atlantis to Interzone’ as much as they did for new tracks such as ‘There Is No Other Time’. Fans couldn’t get enough of the BBC Radio 1Xtra Stage which played host to headliners Giggs, Pusha T andDanny Brown/Joey Bada$$ who topped a supporting lineup to rival any other.

Once again The Alternative Stage at Reading & Leeds brought the best in comedy and spoken word to the Festivals. The lineup was topped by favourites Bill Bailey and Simon Amstell who both commanded huge audiences, showing the appetite for comedy is stronger than ever. Kate Tempest treated fans to a delightfully infectious show whilst People Just Do Nothing proved their epic TV sketches easily translate to a festival audience live on stage. Not only that but with the silent disco and Transgressive hosting the likes of Kelis, Gengahr and The Two Bears at Leeds as well as DJ sets from Frank Turner, Huw Stephens and Jen Long at Reading, the Alternative Stage was truly one of the most vibrant areas of the festival.

With so much going on across the weekend there was never a dull moment, highlights from the Festivals include Parma Violets and Band Of Skulls smashing the Festival Republic Stage; incredible sets from Gerard Way whose show was a UK Festival first, Disclosure, Bombay Bicycle Club, Royal Blood, Brody Dalleand SBTRKT who was joined by Vampire Weekend’s Ezra Koeing for ‘New Dorp New York’ on the NME/Radio1 Stage.

The all new Pit Stage hosted by Daniel P Carter was buzzing with Of Mice And Men being the standout act of the weekend, and Jimmy Eat World and Gorgol Bordello both blew audiences away with their headline slots.

The BBC Radio1 Signing Tent had fans arriving in their hundreds to meet their idols. Over 20 bands from the line-up took time out across the weekend to meet the queues of people. Particular highlights from Leeds included Gerard Way and The 1975, whilst over 300 fans queued at Reading to meet Of Mice And Men.

Managing Director Melvin Benn reflects on the weekend:

“Without a doubt, my highlights this year were all four headliners and I’d like to thank Queens Of The Stone Age, Paramore, Arctic Monkeys and Blink 182 for putting on absolutely incredible shows. I really enjoyed Imagine Dragons too, their set on the main stage blew me away. Across the weekend I’ve witnessed 200,000 music fans having a ball, what a fantastic year for our beloved Festivals. I would also like to thank our sponsors and media partners for their continued support. 2014 is going to be a tough one to beat but one special headliner for 2015 is confirmed, now the work continues to confirm another mind blowing line-up for the fans next year.”

BBC Radio 1, BBC Radio 1Xtra and BBC3 broadcasted from the Festival, allowing fans without tickets the chance to enjoy some of the incredible artists playing across the weekend. To catch up on the coverage from the weekend head here (www.bbc.co.uk/events/e65q2m)

The following videos can be used for press:

Lucius - Go Home 

https://www.youtube.com/watch?v=VSadParC5CI&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

You Me At Six - Football & Shove Ha-Penny 

https://www.youtube.com/watch?v=RhvJbNyKV4s&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

Gogol Bordello - My Campanjera

https://www.youtube.com/watch?v=uzNACz4ZTWY&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

Papa Roach - Uncompetitive Darts 

https://www.youtube.com/watch?v=l75oLE10W-4&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

Kate Tempest – Happy End 

https://www.youtube.com/watch?v=eKWA2pFYVAI&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

Twin Atlantic - Nasty Darts

https://www.youtube.com/watch?v=5ob4y3rbplg&list=PLwKN245EGfqYL5vAajab0TeI2I6Yon8mW

Boy George at St Georges Hall Liverpool Steve Levine sessions review

Boy George at St Georges Hall Liverpool Steve Levine sessions review

Last night at St Georges Hall Liverpool saw the Steve Levine sessions as part of the Liverpool International Music Festival.

Joining Steve for the night were Tim Burgess (Charlatans), Mark King (Level 42), Bernard Butler (Suede), tropical popstress Hollie Cook, singer/songwriter Mary Epworth, and Merseyside's own Natalie McCool and of course Boy George all in the surroundings of one of the great halls draped out like a garden fate complete with a grass lawn and a white picket fence.

A two stage set up saw the attention switch from the main stage over to the side stage were Steve Levine was recording LIVE a new version of Gerry Marsdens "Ferry across the Mersey" using artists and indeed the audience itself on the recording which was available to download later for free.

Mark King kicked off the sessions with a brilliant rendition of "Sunshine of my love" which suitably showed Marks world famous bass playing off to a tee. 

Mark stayed on stage throughout the sets from Natalie McCool, Mary Epworth and Hollie Cook and Tim Burgess and Bernard Butler joined the ensemble whilst Boy George had a cameo appearance during Hollie Cooks set much to the joy of the audience. 

Speaking of the the headliner it was soon his chance to shine and shine he did. Backed with a full live band and dress in a camouflage outfit, George was ready to go to war and simply destroyed the night. 

With songs like Knocking on Heavens door, for which he was joined on stage by Eve Gallagher and a set encompassing a mixture of blues, jazz and reggae tracks alongside his own hits such as Church of the Poisoned Mind, Karma Chameleon and Everything I own to name a few, Boy George shows he is not only a unique talent but comes across on stage as a warm, happy and friendly person and this reflects outwards into the audience. And I have admiration for any artist who can comment on the audience chatting through their set by blatantly commenting "I fucking hate it", which more artists should address as it definitely pisses me off too. 

Finishing on Hara Krishna which built up into a crescendo of music and singing and bringing the house down George came on to his encore to introduce the band and to bring all the artists involved in the night, onto the stage for their final curtain call also.

The night was brilliantly thought out and the unique use of a mock up studio from Steve Levine in between was not only entertaining but a small insight into the working of making a record and what goes on to do so. LIMF have really outdone themselves this year with this event and with the Sefton park free gigs coming up over the bank holiday weekend and the Ella Eyre gig at camp and furnace a week earlier ,  I can safely say they have achieved something unique and that the memory of the old Matthew street festival days have long been forgotten.

The Knaves E.P. Launch @ Studio 2 Liverpool

The Knaves E.P. Launch @ Studio 2 Liverpool

The Knaves have released their debut E.P. Suncatcher and their launch party was held at Studio 2 in Liverpool with a host of support bands to help them launch it in style.

Support, for us, started with the amazing The Jackobins. Having seen them at Liverpool Calling earlier in the year I was once again bowled over with their music. Dominic Bassnett's vocals once again blowing the roof off the venue and Veso's guitar wielding drumming up a storm on their anti war song Prussia. I said it last time but I cant recommend this band enough. Their energy is always at 11 and their music is not only heartfelt and passionate but intense and ferocious too.

After the mind-blowing Jackobins we had a less mind-blowing act in the form of The Jokers. Their music is very much in the early 90s with obvious influence from The Cure and New Order. I'm not sure if it was nerves or alcohol that got the better of the lead singer but stopping after the first song to retrieve the lyrics of which he had forgotten wasn't exactly professional but I must admit a little endearing. All in all not a very memorable set from the guys.

LSA from London completed the support and their music contains some exciting and catchy riffs. Not unlike The Libertines in their manner and approach musically, they played a number of songs including More or less equal and their new upcoming single Can't be trusted.  What let them down was what came across as the lead singers lack of enthusiasm. He at times seemed like he didn't want to be there and he couldn't wait to leave the stage and get home. Which was a shame because I felt the crowd really enjoyed their set and I, for one, would have liked to have heard more.

The Knaves launched into their E.P. with energy playing tracks like 95. An wonderful fast paced and energetic track that makes you want to clap your hands along with the music. In fact most of the music The Knaves produce is of this quality. Continuously upbeat and incorporating catchy lyrics and riffs to complete the package. They also provided a great cover of George Ezra's track Budapest and also a sneak peek into their new track which for the moment is just called Lemonade.

All in all a thoroughly enjoyable night with a mixed bag of support and a great band in the form of The Knaves.

You can buy the E.P. HERE

Madness @ Ibiza Rocks 2014 - The Review

Madness @ Ibiza Rocks 2014 - The Review

Not an unusual headline, but this time it wasn't about another crazy night in the West End. Madness were back at Ibiza Rocks where, 2 years ago, they produced probably the best gig of the Summer. A sell-out crowd was expected and the venue was already busy as supporting act, Hollie Cook, took to the stage.

Hollie has a strong musical background (her dad was the drummer for the Sex Pistols) and has collaborated with the likes of Ian Brown, Jamie T and Prince Fatty. She has a laid-back style that fuses reggae and soul into a very pleasing sound. Her hits 'Milk and Honey', 'Walking In The Sand' and 'Body Beat' were well received and the crowd loved her cover of The Whispers 'And The Beat Goes On'. Hollie released a new album in May and, on this showing, it's certainly worth a listen.

Ibiza Rocks resident DJ, Doorly, filled the gap between acts and this, in my opinion, is the weak link at this venue. He started well playing hits from The Specials and other ska bands, but soon drifted into playing EDM tracks which just didn't compliment the feel of the event.

So, with much anticipation in the air, Madness took to the stage and blasted straight into 'Night Boat To Cairo'. The crowd, with a slightly higher average age than normally found in San Antonio, burst into life and didn't stop for the next hour and a bit. 'Embarrassment' followed next with 'The Prince', 'Oui Oui Si Si Ja Ja Da Da' and 'My Girl 2' closely behind.

'Sun and Rain' was next and led into a brilliant cover of Max Romeo's 'Chase The Devil' which, possibly due to The Prodigy's sampling of it, had the crowd bouncing around. Time for a break for the band and guitarist George Foreman made use of the breather to sing a karaoke version of the Beastie Boys it 'Fight For Your Right... To Party'. A refreshed Suggs returned to follow that with 'Always Look On The Bright Side Of Life'.

After that light interlude it was back to the, well.... Madness. A quartet of their biggest hits came in rapid succession driving the crowd both wild and back to their childhood. 'House Of Fun', 'Baggy Trousers', 'Our House' and 'It Must Be Love' all proved that good tunes do stand the test of time.

So, that was it over... or not, as the case may be. This audience were going nowhere without an encore and the lads duly obliged. 'One Step Beyond' and the self-titled 'Madness' brought the house down and sent the crowd dancing into the night, pork-pie hats, braces and all.

Madness go from strength to strength and long may that continue. Same time next year please!

Review by Sean Conway

Pictures courtesy of Donna Webster

Jesus On The Mainline E.P. Review

Jesus On The Mainline E.P. Review

Jesus on The Mainline are a 15 piece band based in New York City Drawing from broad influences including the fields of jazz, soul, bluegrass and rock they are not a band that deserve pigeon-holing, better to just let the music do the talking and that's exactly what they are doing on the self-titled E.P. release.

The band were formed in 2012 which, alongside lead vocalist Andrew Nesley, who draws on his contemporary jazz background, are singers Mel Flannery, Amanda Brecker and Tim Emmerick, while a sprawling instrumental section lead on horns, percussion, keyboards and guitars.

“War,” is set to make it sound exactly like a war. Chaotic and the sounds of marching armies bring this in with a feel of trudging to battle though the words sometimes do get drowned out by the intense music it is none the less a wonderful riotous track.

“Sister City, Brother Bone” and “Angel From Montgomery,” are thumpingly melodic with dustbowl base lyrics. Throughout the tracks the music is strong, and the smooth vocals on Angel are soothing and warming to the ear. 

The trombone solo in “Sister City” is a standout blues number, sad and smouldering and it's used again on Angel that along with the horns makes it even more of a joy to listen to.

“Sweet High and Dry” with a chorus that hits all the right notes. The keyboard/organ is gorgeous and at times you wish it could continue for longer than it does.

"Jump Right In” is a fast upbeat song but it does seem to go on for a while and isn't the strongest track on the e.p.

“The Last Place That Love Lives” is powerful and the lyrics stand out as being well thought over before putting pen to paper. A wonderful strong track

And then the band do their cover of “Lithium” to finish off. The Nirvana track is not an easy one to pull off (I can’t even sing along when I’m in my car). Their arrangement is novel, but also not disturbingly altered in the way Tori Amos’ “Smells Like Teen Spirit” is, or straightforward like every other Nirvana cover. On their website, they talk of selling out shows left and right, and who wouldn’t want to see the band that pulled this off live?

This EP is full of great moments, great horns and brass. Sometimes it overdoes these instruments on certain tracks but its certainly something I enjoyed listening all the way through and you can only but imagine what it sounds like live with all the band members together on stage.

http://jesusonthemainline.bandcamp.com/album/jesus-on-the-mainline

Liverpool calling 2014 - Bombed out church review

Liverpool calling 2014 - Bombed out church review

Liverpool Calling, Now in its 2nd year, has boosted its venues and acts quite considerably. With the likes of the Kazimier and the Bombed out Church alongside The Zanzibar, Sound food and drink and studio 2, theres plenty to whet your appitite this time around.

First up for us though was the outside stage at the Kazimier with Rufus Hok. A bit of a strange setting amidst the benches and boxes but, in a rustic way, it worked. Rufus had his guitar in hand and went through his set with ease and entertained the crowd with his wit and charm which was in abundance. Meanwhile in the main room of the Kazimier Low Winter Sun set upon their brooding and dark set. Don't get me wrong, it isnt all moody and melancholy, there are upbeat moments during the set and the band themselves convey themselves well but it was all very reminiscent of the joy division era and although as a band they gel well and the songs are very tight and nicely paced it wasn't something I would readily go to see.

The bombed out church on berry street was another venue that had been stamped with the Liverpool Calling moniker and one which kept us there till the end. The vibe was happy and a mixture of music lovers and families sat on chairs and on the grass watching The Sundowners. This 5 piece from Liverpool, lead by singers Niamh Rowe and Fiona Skelly. Their energy and vibrancy shone through the already sunny light to exhilarate the crowds. Tracks like If wishes were horses and Hunter kept the audience on their toes whilst Hummingbird brought the vibe down only enough to be able to unleash again on the audience. I got the feeling of Fleetwood Mac from the band but Fleetwood Mac if you pumped 500 volts of electricity through them and set them loose with wild abandonment. A glorious set.

The good music kept on coming though from the bombed out church as Jetta took to the stage. The Liverpool born/London living singer boasts quite a repertoire of vocal talent. With songs like her debut single Start a Riot and Feels like coming home she almost blew the walls of the bombed out church apart. A wonderful and confident stage presence the set was far too short than I would have liked (possibly due to late running times) but hopefully we will see and hear more of her soon.

Finally it was time for the headliners Space. The venue by this point had filled up nicely but still prompted Double bass member Phil Hartley to ask them to move forward as they weren't about to play a garden party. 

Tommy Scott along with the other band members, were all on top form, ripping through the new songs from Attack of the mutant 50 foot kebab along with the classics  Neighbourhood and Female of the species, and so popular were these 2 tracks they played them again at the end of the set for an encore which ramped the crowd into a frenzy. Dare I say it but the band seem a lot now happier and relaxed since Jamie Murphy left and this was a big coup for Liverpool Calling and one that paid off 20 fold. 

Liverpool calling 2014 - The Kazimer review

Liverpool calling 2014 - The Kazimer review

The second venue on a multitude of venues for Liverpool Calling that we decided to plant ourselves in was The Kazimier and we weren't disappointed either. Like the bombed out church, every act that took to this stage was unique and overwhelming.

The Jackobins from Liverpool are a 5 piece rock band fronted by Dominic Bassnett whose voice would put the likes of Tony Hadley to shame. Powerful and ferocious you are almost bowled over with its intensity and the passion of him as a performer. That's not to take away anything from the other band members who were equally as impressive. With songs like their new single The Otherside and Prussia blowing the roof off the Kazimier. I highly recommend seeing this band.

From one storming band onto another and Dexters are another force to be reckoned with. With catchy tracks and almost anthem like tunes, they certainly moved the audience up a level again.

Lead singer Tom Rowlett is a formidable force on stage and with tracks like Shimmer Gold and Recover you can see why these guys are hotly tipped to go places. With a November UK tour already in the offing they seem to a busy band and I can see why. The guys return to Liverpool in November so if you get the chance go along.

The Repeat offenders next. And although they seemed to have brought half of Buckinghamshire with them, their set seemed a little lack lustre. The band seemed to be enjoying themselves immensely as did the audience but I found it a little bit of come down after the previous two bands. That's not to say they aren't as accomplished and talented as the other bands, I just wasn't left with the same feeling of awe as with the previous two. Maybe this was due to their place in the line up as possibly following The Jackobins would have worked a little better.

The Rifles from London though had no problem with their set. In fact I think they could have just stood there and let the crowds, of the now fully packed Kazimier, sing for them. Their following seems to be pretty large and from the first song through to the end The Rifles had them jumping, chanting and screaming for more and I can see why Paul Weller endorses them so much. This was the band that should have been headlining and thank god they were as they brought a close to a thoroughly enjoyable festival that I look forward to seeing again next year.

T in the Park 2014 - Saturday Review

T in the Park 2014 festival Saturday Review

We arrived at Balado (for the very last time due to it moving site) to grey clouds and the imminent arrival of rain but that wasn't letting anyone's spirits become dampened, no matter how soggy they may be about to get. As usual, the atmosphere was a buzz with anticipation of the fantastic Saturday line up. With so many talented artists participating this year, Music Mafia are bringing you what we considered the best of the best. 

Starting off we were heading over to the main stage when I was distracted by the music coming out of the BBC Introducing Stage where Brown Bear were the first act up and what a way to start. This Scottish based band were a brilliant choice to kick things off. Exuding energy, Brown Bear had the crowd bouncing along with their fresh indie rock songs and lead singer, Matt Hickman's distinctive vocals leaves you wanting more. You can understand why they were chosen to support The Libertines recent gig at Hyde Park. Check out their latest single Dead or Alive or the hauntingly melodic Olive Grove single to see why you should be keeping an ear out for these guys. You won't be disappointed.

Next up for us was a Liverpool favourite, Circa Waves in King Tuts Wah Wah Tent. Lead singer, Keiran Shudall has definitely matured in both music style and song writing over the last few years and although I absolutely loved the Fly With Vampire days, I am totally impressed with Circa Waves. New single Young Chasers and Stuck in my Teeth are an indication of why these guys are being heralded as the next big thing and are in such demand and its safe to say a true indie pop band has been born because of Keiran not willing to give up on his dream. With comparisons to The Libertines and The Strokes, they certainly have all the stage presence of a band that has been been around for a lot longer than 16 months. With an extremely busy schedule during festival time, supporting The Libertines and going on tour in November, there's no excuse to not catch them somewhere in the UK over the next few months.

Another young up and coming artist who we previously reviewed at this years Soundcity Liverpool, Chlöe Howl. A talented young singer songwriter whose vocals and lyrics surpass her 19 years of age. With a confident stage presence from the outset this young singer showcased powerful vocals with a touch of heartfelt mellowness when needed all wrapped up  with her 80's syntho pop style with a modern contemporary twist.

Next up was come back disco queen, Sophie Ellis-Bextor, who last appeared at T in the Park 18 years ago. With a new album out, Wanderlust, Sophie showcased her new album which has a slightly darker, more grown up sound and I have to admit, I preferred. Many of the tracks still have the upbeat pop style that has become synonymous with her music but with a rockier edge to them. I loved Love is a Camera,  fairytale about a witch who steals souls using a camera and 13 Little Dolls, a doozy of a song with a fast tempo and catchy lyrics that you find yourself singing later on that day.  With a quick on stage change of outfit and a few wolf whistles from the crowd, the disco queen emerged to wow the crowd with her extensive back catalogue, including Take Me Home and the huge hit Murder on the Dance Floor to name but a few. I think its safe to say that Sophie Ellis Better enjoyed her return to T in the Park just as much as her fans did. 

Carrying on with the dancier theme, we found Clean Bandit at the Radio 1 stage later that day with their fusion of funky dance, syntho pop and classical music. With one track blending flawlessly into the next they provided a good hour of fun and upbeat music including AandE, the infectious Running Around and of course show closer, their number one hit Rather Be. Even with the grey skies, they managed to lighten up the day with their unique style. 

Festival veterans and one of the original Indie legends James took to the main stage for a hour of crowd surfing, manic dancing, old favourites and brand new tracks from their new album La Petite Mort. There's not much you can say about James that hasn't been said already so how about they were absolutely amazing. After 20 odd years in the business, they still clearly love doing what they do and it shines out across the main stage area. Front man Tim Booths interaction with the crowd, zealous dancing and general fabulousness makes these a must to see at any chance you can get. Even suffering from "man flu" doesn't stop him. Ok his voice wasn't at full par because of it, but he refuses auto tuning so kudos to him for being real and still managing to be the bundle of energy we have all come to love. Playing new single Curse Curse along with Moving On and Frozen Britain from their new album, some might say that concentrating on new material may be a bit risque for an hour set, but they totally pulled it off. Mixing in Come Home, Laid and after a democratic vote by the crowd, Sit Down. Only quibble is the predictability of the crowd themselves. James have a vast back catalogue so give them a break and if you get to vote again.....choose the alternative. Thankfully no one sat down this time!!

Pharrell Williams arrived on stage to huge cheers and instantly started a high energy set with an array of hits including NERD classics, Daft Punk collaboration Get Lucky and of course his massive single Happy. No one was still during his set including Pharrell himself who wasn't going to let a "bit" of rain stop him entertaining the crowd. 

Between the two Saturday closers it was hard to choose who to see, so we had to split them up. Calvin Harris was on our first leg and boy are we glad we did it that way round. Who would have ever guessed that he would have Will Smith, yep that's right The Fresh Prince of Bell Air, to introduce him. Would have been nice for someone to tell him he was in Kinross, not Glasgow, but seeing as he travelled a whole lot of miles to get here , we'll forgive him for being about 30 miles out. Calvin Harris performed a fantastic set with the Fresh Prince by his side partying away to his greatest hits and so so many fireworks it was hard to tear ourselves away to from the party atmosphere to go and see one of our favourites a Elbow over at the Radio 1 stage.

Elbow performed a wonderfully chilled out set with all the classics we know and love including Bones of You and One Day Like This as well as some new material released this year. New York Morning being a particular favourite of mine. Front man Guy Garvey is an amazing performer and holds the crowd in the palm of his hand during each song and always makes you feel like he's talking to old friends when he interacts with the crowd and I'm glad we managed to wind down our Saturday in his company....the perfect ending to a perfect festival day.

Review by Alison GogginFor more photos of Saturday click HERE