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Showing posts with label young. Show all posts
Showing posts with label young. Show all posts

5 April 2010

New Young Pony Club underage special



Bringing together the most exciting acts currently causing a stir, the line up for this one of special at East London’s Village Underground will kicks off with New Young Pony Club; forget everything you thought you knew about the band because on their second album it's all changed. If 2007's critically acclaimed, Mercury Music Prize nominated 'Fantastic Playroom' was the zenith of the hybrid indie-disco sound they pioneered, 'The Optimist' heralds the beginning of a brave new future for the band that will be evident for all to see at their Underage Club appearance.

Egyptian Hip Hop, a band young enough to be Underage Festival customers themselves, will be showcasing the stunning music that’s made them one of the year’s most hotly tipped bands. Stretching stylistically from beguilingly expansive instrumentals to visceral punky sounds the band want to make atonal music, leaving you to decide if it’s uplifting or melancholic.

Helpfully describe themselves as 'the triple distilled essence (and sensibility) of an artistic huddle of mischievous musicals' Django Django, mix real and electronic sounds referencing everything from dub to glam rock but sounds mind-blowingly like nothing you’ve ever heard before. Mask-wearing London three-piece Is Tropical are the latest skuzzy, bedroom electro noise-makers to set tongues wagging. Mixing escapist elements with a low-fi sensibility that’s about as D.I.Y as you can get without actually going to B&Q, the band has a live show that sees them totally immersed in music, with their self-edited videos completely covering the stage.

Late Of The Pier Soundsystem is the exciting new side project of one of the undisputed great bands to emerge from the new rave scene. This dance soundsystem features live instrumentation, and is sure to channel more of the magic forces unleashed on debut album Fantasy Black Channel, fine tuned by Erol Alkan in 2008. Which of the numerous psych, punk or krautrock records that influenced The Horrors will be included in the DJ set of frontman Faris Rotter? The band have proved their musical pedigree on various playlists and radio shows, so expect nothing less than track after track of unquestionably good music.

28 March 2010

REVIEWS




OFFICER KICKS – CITY WIDE CURFEW REVIEW.

Every now and again a band comes along that you say to yourself “why aren’t these guys massive!!!” Officer kicks are such a band and city wide curfew is the debut album.

Officer Kicks is KEITH WICKHAM (drum), MICHAEL SKORJANEC (bass), JAMIE SCALLION (vocal), JAMIE FISHER (guitar) and we at Musicmafiauk have managed to secure a pre-release copy of the album out on April 19th from our friends at Artfulmtb
(http://www.myspace.com/artfulmtb) and let me tell you, I’m glad we did.

This album is original, refreshing and just the thing we need to get us away from all the coldplay, Paloma Faith dross we have been exposed to recently.

From the first track “Murderland” we are thrown into a heady mix of rocking guitar riffs, thumping rhythm and intense vocal displays from the man scallion. The album stomps along bringing track after track of pure melody and lyrics that will have everybody singing along at concerts. Songs like “Tom Thumb” and “Control Sick” are two such songs and with songs like Automatic, that may have that Oasis influence within it, id none the less a stand out and stand alone track that works.

Don’t get me wrong. Officer Kicks aren’t only just about amazing catchy rock riffs but also show their versatility on such tracks as “Mrs Anderson” the gorgeously poetic “White Heat” which concludes the album on a haunting note with the beautiful piano accompanying Scallions hurt and emotional vocals.

All in all, this album is packed with great songs, catchy melodies and lyrics and most of honesty. Something which a lot of the bigger bands have forgotten about in their road to glorious indie fame.

I have seen these guys perform before and they blew me away but with this new material in their arsenal they are sure to not only bring the house down but probably the whole neighbourhood and surrounding counties!


NEW YOUNG PONY CLUB, KAROVA LIVERPOOL 26/3/10








Well heres the first of our reviews/Interviews. This is with New young Pony Club who have just finished a UK tour and soon to be embarking on a european tour with their new album The Optimist. This was during their gig at The Karova in Liverpool.

How is the tour going up to now?
Andy: Really good! All the crowds have been really supportive. Glasgow and Bristol especially were great
How you feeling about tonight’s gig at the Karova?
Andy: We have a few little hometowns like Brighton and of course Liverpool. We have played here so many times that we now feel it’s a home from home especially as the guy that designs our album cover etc is from here, so we are feeling really good about tonight.
What response have you had from the new album “The Optimist”?
Andy: The album response has been amazing. It’s been kind of mixed in some places but the people who got it have loved it and people like NME have given us a brilliant review.
Tahita: I think it’s also split a lot of people who wanted us to do what we did before because they loved it and then there are the people that thought the last album was annoying and wanted us to grow more and do something that they related to more and those people are loving it.
Andy: Reactions from different countries has been varied. I think people in this country believed the hype and the new wave hype. Other countries just went out and bought it because they just saw us as a band and saw it as a progression from the last album.
Was it difficult to make this album?
Andy: To be fair it didn’t come really quickly, it took a while for us to get going and to realize what it was we wanted to do with this record, that in itself took a bit of time, but that was mainly due to getting over a massive year long world tour and massive schedule but once we settled back into it it became a lot easier.
Tahita: It was harder to make because we were trying to do something different. We threw ourselves out of our comfort zone. It’s like the saying that when things are darkest and you’re the most afraid, it’s then that you know you’re going somewhere new. So in that respect, in sort of keeping the faith and continuing to move forward as hard as we could, that helped. It’s definitely beneficial to be out of your comfort zone. It’s terrifying and you freak out but at the same time we wouldn’t have made a song like The Optimist if we had still been in the fantastic place we were. The strongest songs on the new album I feel are when we are furthest out of our comfort zone
The new album is a lot darker than the first. Was this intentional?
Tahita: I think it was intentional, yes. It was something we had talked about after the last album and we were aware that we were no longer these 18 year old party animals and that we have had our darker times.
Why “The Optimist” as the title to the album?
Andy: Well I think because we were going through some troubled times ourselves the optimism came from the music we were making.
Tahita: It felt like we were moving forward.
Andy: And that kept us optimistic that the band was going to keep on going through those troubled times and not fall apart. Our biggest fear was that the we would make a duff album which has been the downfall of some many bands before us. We didn’t want to rush something out and it was rubbish and that was always in the back of our minds so there was optimism there when the music started to come together.
The single “Lost a girl” seems to have a new order influence to it, was that intentional?
Andy: Well if there is it wasn’t intentional. I’ve never been a big fan. Of course they had their moments but I prefer them before they became as popular as they did, when they still had some of the darkness from from Joy Division. I found there was a lot of optimism in the ceremony single so that’s why it wasn’t unusual to call this album The Optimist. You need to bring the hope into music when things aren’t always so bright.
Finally, will you be playing the NME tent at the festivals this year?
Andy: Yes we will still be doing that again this year. We always enjoy doing the later slots at festivals and in a smaller arena because, especially with the new material, it’s more intimate. It should be good.